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S. Sarada (Sep 1, 1915–Nov 4, 2009)
100th birth anniversary

Dr. Maya Rao (May 2, 1928-Sep 1, 2014)
1st death anniversary









  Hoysaleswara temple, Halebid, Karnataka
Photo: Lalitha Venkat



Anita says.....

August is Madras month. It was 376 years ago on August 22 that the British leased a small strip of land from the Dutch on a date which is now widely marked as the birth of Madras - Madras Day.  While the celebrations began in a modest way several years ago by a small group of citizens who wanted to revive the "idea" of Madras and its colourful history, the week has now grown to become an entire month filled with talks, heritage walks, and rare cuisine offerings, music, movies  and even standup comedy! Theatres, cafes, art galleries, hotel lobbies, heritage buildings and private homes became venues for the month long celebrations.

For a dancer, it was a dream month. A chance to watch the legends talk, share and perform. To watch practitioners in their seventies and beyond make us gasp and sigh in admiration!

Two important dance events illuminated the month for me. Early in August was the presentation by Dr. Padma Subrahmanyam and her ensemble on the entire set of 108 karanas and her two creative interpretations of Japanese and Russian composers. To watch this amazing almost 75 year old on stage, still able to communicate and bring the audience to their feet in applause was in itself a tour de force. While we cannot expect the agility and suppleness Paddu Akka demonstrated in her thirties and forties, her younger protégés, Gayatri Kannan and her daughter Mahati Kannan proved to be able inheritors of the Bharata Nrityam parampara. Watching the karanas being performed also brought home the singular pedagogical systems that Padma has put into place to train her students limb by limb. She shared a sliver of the methodology with the audience at the end but there is much to learn from her physical training process when I watched the dancers lift their legs with ease almost up to their ears in a couple of instances.

Padma herself transformed into the essence of liquid bhakti for her performance of ‘Gajendra  Moksha.’  Moving to blind Japanese composer Miyagi's tune, she responded to each nuance and note of the music making it seem that it was written for her. Her innate musical connection and ability to respond to every microtone is what makes her performances truly "visual music."

Late August marked Leela Samson’s 20th anniversary of her SPANDA Dance Company. Starting as an ensemble dance performance of the same name in New Delhi, SPANDA expanded to become more than a dance production. With many of her old students in attendance, the two day celebrations became a treasured experience for dancers and rasikas.  

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Anita Ratnam presents Neelam: Drowning in Bliss
Experimental Theatre, NCPA
Sept 3, 2015 Mumbai




Kuala Lumpur International Arts Festival 2015
Premiere of 12 dance productions
Sept 1 - Oct 4, 2015 Malaysia

Rehearsals for celebrating the 100th birth anniversary of Periya Sarada
at Kalakshetra on Sept 1, 2015
Photos: Aryamba Sriram



Birthday wishes

Jitendra Maharaj (Kathak): Sept 9
Kumkum Mohanty (Odissi): Sept 10
Rajika Puri (Odissi, BN): Sept 14
Alarmel Valli (BN): Sept 14
Jhelum Paranjape (Odissi): Sept 24
Ananda Shankar Jayant (BN, Kuchipudi): Sept 27
Quote
"Art is the only way to run away without leaving home".
- Twyla Tharp


Comment
I extend my heartiest gratitude for this pioneering effort.
- Krishnakali Dasgupta, Manipuri dancer, USA






Transformational Teaching in Dance
- Julianna Gaillard Hane 
Transformational learning
- Mamata Niyogi-Nakra




Remembering my Guru Maa Dr. Maya Rao
- Syed Salauddin Pasha



A missing link to past and present
Tribute to a centenarian: Periya Sarada of Kalakshetra

- The Dhananjayans

Memories of a gentle genius: S. Sarada
- Anita Ratnam


Tribute to my Guru Shyamala Mohanraj
- Vasugi Singh



25th Raindrops Dance Festival
- Shyamhari Chakra


Delightful Bharatanatyam by Sanjana Prasad
- A. Boothalingam



Khela Bhangar Khela
- Nita Vidyarthi

Shraddanjali: A two day annual Odissi dance festival
- Nita Vidyarthi



Double treat of Kuchipudi
- Bhavanvitha Venkat



First National Dance Symposium for South Asian Dance in Canada
- Shyamala Dakshinamurti


Ektaa Center receives California Arts Council “Local Impact” Grant



Sattriya and Khol playing workshop at Tezpur
- Jintu Sarma

Devotion to dance, devotion through dance
- Shveta Arora



A balance of abhinaya and nritta
- Shveta Arora




Aniruddha Knight: A dialogue on manodharma in dance
- Ranee Kumar

Madhavapeddy Murthy as Shiva
- Bhavanvitha Venkat




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