
Manipuri
Dance Visions presents
Gita-Govinda At World Festival of Sacred Music September 21, 2008 Los Angeles August 29, 2008 Manipuri Dance Visions offers tribute to late Guru Bipin Singh on his ninetieth birth anniversary by re-creating his original choreography
As a part of
ADORATIONS: CELEBRATIONS OF SACREDNESS FROM INDIA AND SPAIN
On: September
21, 2008 at 8 pm
For more
info:
Re-constructing
Gita-Govinda: Director's Note
The year 2008 being my late guru's ninetieth birth anniversary, I wanted to pay my tribute to him by reviving his dance-drama Gita-Govinda he choreographed thirty years ago. My memories of Gita-Govinda go back to 1977-1978 in Kolkata. Manipuri Nartanalaya preparing for Guruji's sixtieth birth anniversary, and Guruji busy writing on his blue and yellow striped sofa. Rehearsals would go on in the fourth floor of Lake School for Girls. I was a performer in the children's group then. And, after our rehearsals were over we would sit and watch rehearsals of Gita-Govinda by the senior artists. In that production, Darshanidi (now Guru Darshana Jhaveri) played the role of Krishna and Kalavatidi (now Guru Kalavati Devi) played the role of Radha both of the being at the peak of their performing career. I remember finding a copy of a Gita Govinda, the original Sanskrit text along with Bengali translations from my family's bookshelves and reading through the pages – going back and forth trying to understand what was happening in the rehearsals. Some days I would go ask Guruji about the text, and watch him work through the dance drama, hand-copying the songs, singing them while playing his harmonium and setting the punglols (drum syllables).
Excerpts from Gita Govinda were performed later as dance pieces from time to time but the entire dance drama with its original costumes (the poloi in the Nitya Ras style) was never performed again. Thirty years later as I prepare for the World Festival of Sacred Music, now with my own dance company, I recollect those moments. The rigor, excitement, physical and intellectual challenges of working with Guruji, are all experiences I treasure everyday. Those moments from the dusty days of late1970s Kolkata with frequent power-cuts, and rampant malaria is now transported to the giant freeways of California and finding its new roots in the Los Angeles soil, as I work through the same book and texts and teach and rehearse with a new generation of artistes, the same dance drama. I have edited the text and lyrics and added the dramatic interludes to suit the sensibility of the contemporary audience. However, I have kept the music and dances intact from what I remember from the rehearsals. Tradition lives on. - Sohini Ray About Sohini
Ray
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