April 3, 2008 
BELLS OF CHANGE: KATHAK DANCE, WOMEN, AND MODERNITY IN INDIA by visual anthropologist and Kathak exponent Pallabi Chakravorty, “traces the arc of two centuries of Kathak: the colonial nautch dance, classical Kathak under nationalism and post-colonialism, and 'innovation' and 'new directions' under transnationalism and globalisation." 
Pallabi Chakravorty is Assistant Professor in the Dept of Music and Dance at Swarthmore College, USA. Founder and artistic director of Courtyard Dancers, she is an anthropologist, dancer, choreographer, and cultural worker. She received an IFA (India Foundation for the Arts) grant in 1997 to study how women Kathak performers in contemporary India were contesting the elitism, patriarchy and nationalism of the 'classical' idiom. Her book draws partly on the research she undertook with this grant. 
ISBN: 1905422482  
Published by Seagull Books, Kolkata
 
  March 3, 2008 
The book ‘Hand Gestures of Hastalakshanadeepika in Mohiniattam’ by Nirmala Paniker was released on Feb 8, 2008.  
Nirmala Paniker began to look for a connection between the traditional forms of Mohiniattam, Nangiar Koothu and Thiruvathirakalli-all indigenous forms featuring female artistes. This led her to great gurus like Bhanu Asan of Thiruvananthapuram from whom she learned Thiruvathirakali and allied forms and to the venerable Ammanur Madhava Chakyar who enlightened her on the various aspects of abhinaya in Koodiyattam and Nangiar Koothu. The research led her to fill in many gaps in the Mohiniyattom repertoire and to write about Hasthalakshanadeepika and its usages in Mohiniattam.  
One of her most important contributions is in revitalising the regional aspect of the technique and reviving the Netrabhinaya (expression of the eyes) and Hasthabhinaya (expression by hands or mudras) traditions of Kerala. 
For details, contact 
Nirmala Paniker, Director 
Natanakaisiki, Ammannur Chakyar Madhom, Irinjalakuda 680121 (Kerala, India) 
E-mail: natanakairali@gmail.com  
Ph: (91-480) - 2825559
 
  Feb 11, 2008 
An audio CD of the Kathakali padams of the play GURUDAKSHINA by Kalanilayam Unnikrishnan and late Kalamandalam Raveendran features padams tuned simply in common ragas like Kalyaani, Madhyamaavathi, Kappi and Poorvikalyaani.  
Price: Rs.100
 
  Jan 4, 2008 
CHAKYAR RAJAN'S VIDEO CDs – Three-in-one set available for art lovers. 
It contains programs, speeches and tributes. Only the postage cost is expected as this gesture is to spread the great art that was his forte and life long dedication.  
 
Contact: Padmaja Suresh 
e-mail: padmajasuresh@mailcity.com or padmajasuresh@hotmail.com
 
  KATHAKALISWAROOPAM in Malayalam is by brothers Mankombu Sivasankara Pillai and Prof. CK Sivarama Pillai. The work studies how the grammar books ranging from Bharathamuni's Natya Sastra to the Balaramabharatham of Karthika Thirunal have given Kathakali an Indian shape and structure. 
Published by Mathrubhoomi Books, Cherootty Road, Kozhikode 
Price: Rs.150
 
  A collector of apoorva kritis, S Balachander's collection of 20 compositions of Syama Sastri, Tyagaraja and Muthuswami Dikshitar, has been published in manuscript form with meticulous swara notation and sahitya. He is a singer, flautist, composer, music critic and scholar. APOORVA KRITI MANJARI has been recorded in two audio volumes by his niece Vijayalakshmi Subramaniam, a disciple of S Rajam.
 
  Violinist A Kanyakumari and her disciple V Sanjeev, present nine tillanas of various composers to the accompaniment of an orchestra in DANCING MELODIES - the Tanjore Quartet's Kanada in Tisra Nadai, a piece in Misra Kalyani composed by Kanyakumari and Sulochana Pattabhiraman, M Balamuralikrishna's Brindhavani, Thanjavur S Kalyanaraman's Dwijavanthi, a rare tillana by Ramanathpuram Srinivasa Iyengar in Thodi, and N. Ramani's Madhyamavathi. 
Produced by Sa Re Ga Ma, a CD costs Rs.150.
 
  Sept 26, 2007  
INDIAN MUSIC AND AN ENCHANTING AMALGAM OF DANCE, by Vasanthy Krishna Rao has an overview of various characteristics of Bharatanatyam, various aspects of Carnatic music, different dance and music forms, life histories and details of songs of 5 eminent composers. This book would appeal to both dancers and musicians. 
Sanjay Prakashan, 4378/4 D-209 JMD House, Ansari Rd, Daryaganj, New Delhi  
Price: Rs.400
 
  SANKARA MENON: PURUSHOTHAMAN, edited by G Sundari, was released on September 22, 2007 at Bharatiya Vidya Bhavan, Chennai, to commemorate K Sankara Menon’s birth centenary. The book was released by Justice S Mohan and the first copy received by Dr. Meena Muthiah.  

The book contains scholarly articles by Sankara Menon and tributes paid to him by his past students at the Besant Theosophical High School, Kalakshetra and friends.       
Sankara Menon (1907 – 1995) was Joint Director of Kalakshetra and after Rukmini Devi passed away in 1986, he became the Director. 

Published by his grand niece Indu Jayanthi Varma for The People for Children Foundation 
Price: Rs.200  
Contact: foundationpc@yahoo.co.in / (91 - 44) – 42019497

  
  September 22, 2007  
The latest issue of DRISHTI (No. 11), the magazine focusing on dance and music, provides delightful fare for readers with different tastes. 

Leela Ramanathan, the noted dance historian and writer, delves into the origin and nature of Mohini Attam, in her series on the classical dances of India. Fans of folk dances can read about Veeragase, a popular folk-form of Karnataka. Sneha Nandagopal delineates Veeragase and also chats with GP Jagadish, a veteran Veeragase artist. 

Calling himself a happy and satisfied artist, R K Padmanabha is one of those musicians who feel the common man is as supportive of good music as any rasika. His joie de vivre comes across in conversation with Anuradha Vikranth. 

In the forum, Drishti Sadas, leading dancers and musicians express themselves on two issues that often confront any artist: Should I perform for free? Should I pay up when some organizers demand payment for staging my performance? 

The highlight of Drishti 11 is the updated Drishti Art Resources, a painstakingly compiled directory of resources related to music and dance. Dancers, musicians and anybody related to music and dance swear by it for the authentic information it provides at their fingertips. 
The Drishti team is promising a National Drishti Art Resources soon. 
This issue of Drishti also has its other regular features: 

1. Excerpts from the book 'Euphony' by Dr L Subramaniam and Viji Subramaniam - now dealing with the differences between Western and Carnatic notation systems. 

2. Legends of our Land, pen portraits of great legends in the field of music in our country, featuring Pudhukotai Dakshinamurthy Pillai. 

3. Timeless Indian Traditions - about why we chant 'Om'. 

4. Pratima Kosha, excerpts from the 'Encyclopaedia of Indian Iconography', by Prof. S. K. Ramachandra Rao featuring the description of Apsaras. The article gives abundant information on various hand gestures and poses for choreography. 

5. Phocus, a photo feature on upcoming artists, on Parshwanath Upadhye, a young, passionate Bharatanatyam artist. 

6. Drishtikosh, a guide to dance and music terminology. 

7. Briefcase, news about events related to music and dance. 

The Team: Spotting a niche for a magazine on dance and music, a noted Bharatanatyam dancer from Bangalore, Anuradha Vikranth and her husband, TM Vikranth, launched Drishti in November 2002. Anuradha and Vikranth, along with N Narayan, the other member of the Drishti team, promise you a magazine that delights, diverts, instructs and informs. 

The growing popularity of Drishti has emboldened them to try and make Drishti a national magazine on dance and music. With that objective, we would like you to contribute to the magazine in any way you think you can – articles, photographs, opinions, suggestions, tips, bouquets and brickbats. Of course, if you also subscribe to Drishti, it will be a matter of great encouragement for us. 

Thanking you in anticipation.  
Drishti: For Round-the-Year Infotainment, Edutainment and Entertainment! 
Anuradha Vikranth 
Creative Director 
Ph: 0 98455 55422 
e-mail: info@drishtimag.com, drishti_mag@hotmail.com       
Visit: www.drishtimag.com

 
  CLASSICAL DANCES OF INDIA, CD–ROM by Sadhana Productions is targeted at children, teachers and any one who is curious about Indian dances. It features the seven dance styles of India: Bharatanatyam, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniattam, and Odissi. This interactive resource provides a tantalizing experience of each dance style by looking at the History, Features, Costumes and Music.  
Contact: Sadhana Productions  
The Dance Workshop 132 Alcester Road, Birmingham B13 8EE UK  
Tel: 0121 442 6742, e-mail: info@sadhna.co.uk
 
  September 16, 2007   
BONDING...A MEMOIR, an autobiography by Vyjayanthimala Bali, is co-authored by Jyoti Sabharwal, and gives insights into her film career and ongoing Bharatanatyam career.  
It is published by Stellar Publishers.
 
  On Aug 31, 2007 Kalavardhani's releases a DVD titled GANESHA-SKANDHA MARGAM featuring Bharatanatyam by Aruna Subbiah, a senior disciple of Guru Sudharani Raghupathy. 
The dance performance celebrates two favourite deities - Ganesha and Muruga, through the Margam format of a Bharatanatyam recital.  
Dance direction is by Sudharani Raghupathy, who has been in the field of Bharatanatyam for six decades now. The live orchestra for the dance performance features Nandini Anand (Vocal), Priya Murle (Nattuvangam), KSR Anirudha (Mridangam) and V Muruganandan (Violin).  

In the DVD, each dance composition is preceded by a short introductory narrative in English. The compositions presented include:  
Pushpanjali - Sharanu Vinayaka ( Karnataka Devagandhari /Adi / Lyrics by Alathoor Vijayakumar). An invocatory item in praise of lord Ganesha. 
Jatiswaram (Purvikalyani / Adi / Composed by Vidwan Madurai. N Krishnan). A dance number with rhythmic dance sequences set to swaras or musical patterns. 
Shabdham - Kandhane unnai (Ragamalika / Misrachapu). Themed on lord Muruga, this composition is set to a combination of ragas and beats of seven. 
Varnam - Om enum porule (Hamsadhwani / Adi / Lyrics and Jathis by KSR Anirudha / Music composed by Nandini Anand).  This varnam themed on lord Ganesha presents some of the legends relating to the cheerful lord Ganapathi.  
Padham - Sollavallayo kiliye (Ragamalika / Rupakam / Lyrics by Subramania Bharathi). In this composition, the heroine sends her pet parrot as a messenger to lord Muruga. 
Thillana (Kannada / Kanda Ekam / Composed by Vidwan Madurai N Krishnan). The concluding piece, which is joyous, short and crisp.   
               
Aruna Subbiah has been a disciple of Prof. Sudharani Raghupathy since 1984. At Shree Bharatalaya, Chennai, Aruna has trained in Bharatanatyam, Carnatic Music, Nattuvangam, theory of dance and choreography and had her Rangapravesam in 1991. 
E-mail: arunasubbiah@gmail.com 

 
  July 2007 
"Krishna in Performing Arts" by Shovana Narayan, published by Eastern Book Corporation 
Price: Rs.2, 500
 
  "Odissi: An Indian Classical Dance Form"” by Priyambada Mohanty Hejmadi and Ahalya Hejmadi Patnaik, published by Aryan Books International 
 
  June 26, 2007 
At Home in the World: Bharata Natyam on the Global Stage 
by Janet O'Shea 

In this critical history of twentieth-century Bharatanatyam, dance scholar Janet O'Shea looks at questions of national, regional, gender, and diasporic identity. At Home in the World investigates the expression of cultural politics through dance choreography and, in turn, how the politics of India and Indian emigrants has affected the performance of Bharatanatyam throughout the world. With over 250 teachers in the United States alone, Bharatanatyam offers a remarkable case study of how a traditional art form moves into the world beyond. 

Bharatanatyam's journey from India began in the 1920s, as it moved from its traditional home in the temples and courts of South India to the global concert stage. Through figures such as Uday Shankar, Anna Pavlova, Ragini Devi, Ram Gopal, and Ted Shawn, the history of this dance form intersected with the modernist movement in Europe and North America, the ballet revival, and popular performance in the western world.  

O'Shea carefully untangles the complex associations of Bharatanatyam with other dance and art forms, and looks at contrasting positions taken by practitioners of the Bharatanatyam revival. Drawing on insights from postcolonial studies, women's studies, and globalization studies, she considers how performers of the late twentieth century grapple with questions of identity as they choreograph and perform throughout India and throughout the world. 

Janet O'Shea is a reader in the department of dance at Middlesex University in the UK, and a dancer. Her articles have appeared in The Drama Review, Asian Theatre Journal, and Dance Research Journal, and she was the 1998 recipient of the Society for Dance History Scholars' Selma Jeanne Cohen Award. 

For a review copy or to see a pdf sample from the book, contact 
Stephanie Elliott 
Wesleyan University Press, 215 Long Lane, Middletown, CT 06459 
(860) 685-7723 / selliott@wesleyan.edu 
http://www.dartmouth.edu/~upne/0-8195-6836-8.html  

At Home in the World: Bharata Natyam on the Global Stage 
by Janet O'Shea 
236 pp., 25 b/w illus., 6 x 9" 
$70.00 unjacketed cloth 
EAN: 978-0-8195-6836-6 
ISBN: 0-8195-6836-8 
$26.95 paper 
EAN: 978-0-8195-6837-3 
ISBN: 0-8195-6837-6 
Publication Date: May 21, 2007 

 
  Dec 9, 2006 
'Himakaram' is a famous sequence from 'Asokavanikangam,' the fifth act of 'Ascharyachoodamani’ that is considered the first text in Sanskrit theatre to be used in Koodiyattam. Guru Margi Madhu's institution Nepatya, Centre for Excellence in Koodiyattam, is planning on documentation of Koodiyattom and a DVD of 85 minutes duration on HIMAKARAM is the first of the series. The focus is on Ravana in this episode and deals with his infatuation for Sita. Madhu plays the role of Ravana, that has ample scope for abhinaya. There are English subtitles.  
Price: Rs.250  
Contact: Nepatya Centre for Koodiyattam, Moozhikulam, Kerala 
 
  Dec 6, 2006 
Book title: Shahaji Yakshagana Prabandalu 
Author: Dr. Uma Rama Rao 

Dr. Uma Rama Rao's "Shahaji Yakshagana Prabandalu" brings alive an unknown facet of a Maratha ruler. Her book is a page from history. Thanjavur was the seat of fine arts and culture, especially in the 16th and 17th centuries... Shahji II (a Bhonsle of Shivaji's descent) saw flowering of with the ruler himself being a prolific writer. Encapsulating the dramatic element in these compositions so suited to classical dance in her book, she delves deep into the spirit and grandeur of language and thought of Shahji, who was adept in Telugu as if it was his mother tongue. The most interesting 
of Shahji's compositions are the Pallaki Seva Prabandams - large epic verses drawn from ritualistic temple dance format which have a unique appeal and artistry. 
(Ranee Kumar, The Hindu, Friday Feb 24, 2006) 

A dancer, choreographer, research scholar and guru, Uma Rama Rao received her Ph.D. from Telugu University for her exemplary work on "Shahaji Yakshagana Prabandalu." She was also the recipient of the prestigious Sangeet Natak Academy Award in 2003 for her contribution to Kuchipudi. She retired as Associate Professor and Head of the Department of Dance from PS Telugu University and presently serves as the founder - director of Lasya Priya, an academy of Indian Dances and Centre for Higher Learning and Research. She is the author of "Kuchipudi Bharatam" in English and "Telugu Samskruti and Melattur Bhagavata Mela Natakamulu" in Telugu. 

Contact: kolluri_uma@yahoo.com / Phone: (91- 40) - 66789617 & Mobile: 92465 89617 in India 

 
  Book Title: BEYOND PERFORMING: ART & CULTURE (Politico-Social Aspects) 
Author: V P Dhananjayan, Bharatanaatyam exponent and Guru, founder president, Bharatakalanjali, Adyar, Chennai. 

On Dec 5, 2006, His Excellency Governor of Tamilnadu Shri Surjit Singh Barnala released the book at a special function at Raj Bhavan, Guindy. This book is edited by Dhananjayans' senior disciple Tulsi Badrinath and published by BR Rhythms, New Delhi. Dhananjayan's earlier book 'Dhananjayan on Indian Classical Dances' was also published by BRR and this has gone in for 3 editions. Success of this book prompted Dhananjayan to launch the present publication. 

'Beyond performing: art & culture' contains various articles not only on art & culture matters, but also political and social aspects. An interesting attraction in the book is the cartoons on arts and social issues by late Sarathy. Dhananjayan's concern for the welfare of society and peaceful co-existence - both artistically and politically are very much evident and his forthright suggestions to Government and public agencies are thought provoking points. Cho Ramaswamy has written the foreword to this book. 

The book is Priced @Rs.1195.00 available B.R.Rhythms, email: info@brrhythms.com 

 
  RITU SRINGARA, a popular dance presentation of Padmaja Suresh - VCDs of live recording for sale.  
In Ritu Sringara, Padmaja Suresh uses Bharatanatyam to portray the Baaramasa (12 months) poetry, and link it with paintings. The different styles of the Pahari School of miniature paintings are linked with poetry, which in turn is set to tunes which are blend of Hindustani and Carnatic music.  

Ritu Sringara is a ballet choreographed and performed by Padmaja Suresh and depicts the seasons of the year. It involves visual representation of the classic miniature paintings, with the episodes having been woven around the paintings, using the elements common to both.  In Bharatanatyam style with lyrics from Hindi literature in dialects like Avadhi and Brajbhasha. The lyrics are taken from the works of poets / saints Keshavadas, Govindas, Surdas and Meera.  
The predominant rasa in the ballet is Sringara (love). So, it is natural; that the characters used for the ballet are the legendary lovers Radha and Krishna and the love-lorn gopikas.  
The ballet portrays the changes in the characters' moods sympathetic to the changes in the seasons and in nature. The dancer's portrayal of the changes will be supplemented with slides. The costumes are based on the changing colours of the sun as depicted in the ancient text Sambha Purana.  
Padmaja explains the way Krishna is portrayed: "This ballet does not highlight the spiritual version of Krishna as the person who advised Arjuna in the form of Bhagavad Gita. It lays emphasis on the beauty of nature in the different seasons and the fun-filled representatives of love, beauty and fantasy. Krishna is represented as an ordinary mortal." 

Contact: padmajasuresh@mailcity.com or at the following address 
Padmaja Suresh, Director, Kalpataru Kalavihar  
98/6, Krishnageet Apartments, 2nd Main, Seshadripuram, Bangalore 560020 
Ph: (080) - 23343393, Fax: (080) - 23369004, Mobile: 94480 68993 

 
  July 16, 2006 
A DVD of BHARATANATYAM ADAVUS (an audio-visual aid for day to day practice of adavus with music) by Jayanthi Subramaniam, was released on July 10, 2006 at Bharatiya Vidya Bhavan, Chennai. Jayanthi's guru Adyar K Lakshman released the DVD and first copy was received by guru SK Kameswaran.  
For details: (91-44) – 24994145 / jayn61@hotmail.com 
 
  July 16, 2006 
'FLOWERS AT HIS FEET - An Insight into Annamacharya's Compositions' by Pappu Venugopala Rao is an in-depth study of Annamacharya's colossal range of work like Sringara Sankirtanas, Adhyatma Sankirtanas, compositions on various deities, etc.  
Published by Pappus Academic and Cultural Trust (PACT), 36/11, Canal Bank Road, R. A. Puram, Chennai 600028 
Price: Rs.300 
 
  July 15, 2006 
Sangeet Natak, Vol XL, No.1, 2006 
'The Performing Arts: A Mantra for Healing' 
This is a special issue on Healing through the Arts published by Sangeet Natak Akademi. 
For the first time in the history of any governmental body dedicated to performing arts, this issue talks exclusively about healing through dance, music, theatre, sound, puppetry etc. The 104 page journal is 40 pages more than a normal SNA Journal with some rare photographs capturing the range of work, in cities like Hyderabad, Chennai, Delhi and also for the first time, Andaman and Nicobar islands. It looks at the work being done in Nias, Indonesia and in Singapore, in an attempt to underscore the link that defines the collective vision of Asian tradition of healing. 
Articles are by Shanta Serbjeet Singh, Shruti, Kanaka Sudhakar, Ambika Kameshwar, Tripura Kashyap, Anurupa Roy, Sangeeta Isvaran, interviews with Syed Sallaudin Pasha and Alvin Tan. Edited by youngest guest editor Lada Guruden Singh.  

Price: Rs.15 (for individuals), Rs.25 (for institutions/libraries), single issue $5  
Annual subscription: Rs.50 for individuals, Rs.75 for institutions/libraries (Rs.30 extra for registered mail) 
Annual overseas subscription: $15 (10$ extra for airmail) 

Cheques/drafts/postal orders covering subscription should be payable to: 
Secretary, Sangeet Natak Akademi, New Delhi 

Published by Sangeet Natak Akademi, Rabindra Bhavan, Feroz Shah Rd, New Delhi 110001 
e-mail: sangeetnatak@bol.net.in 

 
  June 28, 2006 
'TOLPAVA KOOTHU: SHADOW PUPPETS OF KERALA' by G Venu (Natana Kairali, Irinjalakuda), is about the shadow puppet theatre tradition of Kerala. The book is an informative source about the making of the puppets, the themes used in the shadow play, the venues where they are performed and so on.  
Published by Sangeet Natak Akademi, New Delhi and Hope India Publications 
Price: Rs.295 
 
  June 25, 2006 
The second edition of NANGYAR KOOTHU by guru Nirmala Paniker was released in January 2006 at the International seminar on Kutiyattam conducted at Trivandrum. The first edition was published in 1992. Sanskrit slokas and its Attaprakarams (acting manuals) of Sreekrishna Charitam Nangyar Koothu have been included in this revised edition.  
Contact Natana Kairali, Irinjalakuda, Kerala: ((91 - 480) - 2825559 / natanakairali58@yahoo.co.in 
 
  Audio CD NATYOLLASAH by Padmaja Suresh has traditional and thematic Bharatanatyam repertoire.  
It features Todayam, Ganesha Kavutvam, Jatiswaram, Swarajati, Varnam, Javali, Navarasa, Navagraha, Tillana (Spring).   
The CD is of 80 minutes duration. 
Cost: Rs.360 in India and Rs.460 outside India including postage.  
It is available only at Kalpataru Kalavihar, Bangalore, India  
Contact Padmaja Suresh: padmajasuresh@lycos.com / (91-80) – 23343393 
The proceeds from the audio CDs goes towards project 'Kalachaitanya'- the charitable wing of Kalpataru Kalavihar - for propagating arts for underprivileged children. 
 
  THEATRE ARTS FOR HOLISTIC DEVELOPMENT authored by Ambika Kameshwar released on March 11, 2006 at Narada Gana Sabha, Chennai. 
For details, contact: (91- 44) - 24939916 / rasa_india@yahoo.com 
 
  NAVKALEVAR is a beautiful documentary film made by Prithviraj Misra from Orissa about the ritual of the temple servants going into the forest to search for and do Puja to the trees to be sacrificed to become the new incarnations of Jagannath, Balabadra and Subadra for the Puri temple of Puri, Orissa.  
It is available on VHS (NTSC system)  
Contact Barbara Mintz: bhava_dance@hotmail.com