Reveiws

Maximum India: March 2 to 20, 2011
 
 
Manganiyar Seduction: An interview with Roysten Abel by Vibhuti Patel 
 
Old films mar India festival in Washington by Yashwant Raj 
 
India: from diverse puppetry to dancing which has a dab of Paris: 'Images of Truth' by The Ishara Puppet Theatre Trust & Shantala Shivalingappa's 'Swayambhu' by George Jackson 
 
Passionate Minimalist: Malavika Sarukkai's 'Energies Auspicious & Fearsome' by George Jackson 
 
Tradition & Change by George Jackson 
 
Some sorts of serpents: Kalbelia - Dance of the snake charmers by Gulabo Sapera & Party and 'Sarpagati - Way of the Serpent' by Daksha Sheth Dance Company by George Jackson 
 
The Forgetful Prince: 'Shakunthalam', a dance drama by The Natayalakshana Company by George Jackson 
 
'Maximum India' features a bold take on Ibsen, reading of Indian short stories by Nelson Pressley 
 
Meant for One or Several? by George Jackson
'Samanvaya': Harmony in motion, sealed with a look by Sarah Kaufman 
 
Shantala Shivalingappa, a study in complexity and grace by Sarah Kaufman 
 
Dancer Malavika Sarukkai wows Kennedy Center with 'Maximum' artistry by Pamela Squires 
 
Transcendence and Mystery in Tiny Gestures by Alastair Macaulay 
 
Priyadarsini Govind and Nrityagram Dance Ensemble offer intense Indian dance by Sarah Halzack 
 
With sensitivity and savvy: Priyadarsini Govind & Nritayagram Dance Ensemble by George Jackson 
 
Nature & Nurture: Madhavi Mudgal and Alarmel Valli in 'Samanvaya: A Coming Together' by George Jackson 
 
Music review: Kennedy Center 'Maximum India' festival opener U. Srinivas by Mark Jenkins 
 
'Maximum India,' in full bling