Dancing to the warning bells of drought
- Shveta Arora
Pics: Anoop Arora
June 10, 2016
This summer is a particularly scorching one and the whole of India is seeing drought conditions. Every day, there are heart-wrenching images on TV of the effects of the water scarcity that some regions in India are facing. ‘Empty Vessels’ was a concert that had as its theme the idea that water is sacred, and aimed to spread awareness on saving this most precious natural resource. Nehha Bhatnagar and her organization Sarvam have taken up the cause. The campaign will ultimately bring water to a village in Himachal Pradesh through Himcon, an NGO. A short film about the plight of people there was screened at the beginning of the performance.
The first recital was by Hari Narayanan on the ghatam and Shridhar on the violin. Elathur N. Hari Narayanan started learning to play the ghatam at the age of 13 under the tutelage of Kumbakonam N. Padmanabhan. Shridhar is a disciple of V.S.K. Chakrapani and Akhila Krishnan. The first piece was in raag Amritavarshini, adi talam, a composition by Muthuswami Dikshitar. It is said that it was composed during a drought, when there was a severe scarcity of water, that the raag is actually named Amrit Aakarshini, and is sung to bring water. The violinist played soulful music while Hari Narayanan did a deft solo on the ghatam, creating very fast-paced rhythms.
The vocalist Ujjwal Nagar, son and disciple of Guru Urmila Nagar, was accompanied by Kshama Bharti on harmonium and Pranav on the tabla. He’s blessed with a voice that touches the heart. He sang a composition based on raag Kedar, in teen taal. The lyrics "Ab aan milo kant hamare" (my beloved, please come to meet me) invoked the romance associated with the monsoon and hence with water. The clouds are rumbling, the peacocks are dancing, and the earth is covered by a thick green blanket of foliage. The composition in ek taal was "Saavan ki boondariya barsat ghangor" (the monsoon raindrops fall thick and fast). His deep voice and his excellent rendition left the audience asking for more. He concluded with a bhajan, "Ganga Jamuna nirmal pani seetal hot sareer" (the pure waters of the Ganga and Jamuna cool and purify the body). Though it was beautifully sung, it left a lump in the throat as listeners realized the irony of the situation. Hari Narayanan accompanied him throughout on his empty vessel, the ghatam.
Nehha, disciple of Guru Saroja Vaidyanathan, was the next to take the stage. She wore a striking blue saree which was the colour of a clear stream. She did a rhythmic jati, and with Himanshu on nattuvangam and Hari Narayanan on ghatam, it was a powerful opening. This was followed by a Sanskrit stotram Gangashtakam by Adi Shankaracharya. The Ganga is addressed as the devi, the mother, and it is an ode to her might. Nehha depicted the river emerging from the feet of Lord Vishnu, being collected on the matted locks of Shiva, who entwines her in his locks and lets her down as a trickle. The sage Bhagiratha, after much penance, brought her down to the earth to wash away the ashes of his ancestors and give them redemption. Nehha’s abhinaya is commendable and she has very expressive eyes. She showed great agility in depicting the movements, speed and waves of the river. She ended the piece with an aarti that highlighted the condition our revered rivers are in.
Gauri Diwakar was dressed in a blue costume for the Kathak piece that said, "Man karat tore sang beh jaye re, dheer dhare na manva machalat, tore sang beh jaye re" (my heart says that I want to flow with you, I cannot hold back my wishes, which want to flow with you). She used subtle abhinaya to depict the emotions of romance, and Gauri is always immaculate with her footwork too. Music for the piece was by Samiullah Khan, the choreography by Aditi Mangaldas, and the text was by Rachna Yadav and Ashutosh Dixit. There was a lot of movement and feel of water in the piece.
To summarize, water is not just a necessity for life. It is life! Since it is attached to so many emotions and spirituality, Anamika from Satyawati College in Delhi University, recited some poetry that touched everyone’s heart. Nehha enacted that poetry, showing the expressions in the eyes of the harvester who sees a wilted crop. All this while the ghatam, the empty vessel, kept echoing in the hall.
Shveta Arora is a blogger based in Delhi. She writes about cultural events in the capital.