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The Sacred River: a Festival of Carnatic Music, its dance, and Flamenco by Rajika Puri, New York e-mail: rajikapuri@hotmail.com Feb 2001 The festival programme this year represents a dream of five years - Aruna Sairam as the fulcrum of three days of music in which Carnatic music and pure, classical, Flamenco - in the person of a magnificently sensitive and brilliant guitarist, David Serva - would meet, while his wife Clara and I would create improvised movement strategies to complement the music. I wanted it to be at a magical and sacred spot - and we were fortunate to be able to organise it at Maheshwar on the banks of the Narbada - meeting point of south and north India, under the aegis of Lord Shiva, Devi Rani Ahilyabai Holkar, the ancestor of Richard Holkar and the townspeople of Maheshwar, particularly the weavers of Rehwa Society the driving force of which is still Sally Holkar. We did it! - Mahadev, (i.e. Lord Shiva) and his 'workers' Richard Holkar, and I. ‘The Sacred River' was a stupendous success, and will probably never be recreated as magically and perfectly, (though our sound systems will improve as the lighting and stage, too!! I hope).
DAY TWO: Started with a lecture on Flamenco (audience of Kalidas - critic of India Today and a music scholar, Sunil Kothari, & Premshankar Jha, as well as a foreign contingent which included Mary McFadden, the NY designer who had done a piece for the Golden Eye exhibit during the Festival of India, and who had designed costumes for one of Muzzaffar Ali's films), a German couple of India aficionados / musicians, Lekha Poddar, Sunita Kohli, the designer, Peter Stern of the World Monument Fund, Martand Singh,et al. Second half of the evening, lit a bit better, was a meeting between Aruna and David Serva the flamenco guitarist accompanied by his son, Pablo (a wonderful percussionist who had miraculously been sent by the Spanish Government to perform in New Delhi only ten days before his father and Clara arrived in Mumbai!!!)
The first offering was a danced version of what we now call "Payyada por Solea', then an Alegrias in which the melody (since this time we had no Flamenco singer) was carried by the violin who did amazing, gypsy-like things. This led into a Bulerias in which everyone 'jammed' including the two percussionists, the two melodic instruments, and of course Aruna doing all sorts of variations on the folk song she had chosen to sing to the Bulerias rhythm. Clara then did an exquisite dance to Aruna singing a folk song, a 'kaavadi Chinna" (?) while Raghavendra Rao, the violinist, played delicate pizzicato. We then ended in an extended version of the Tangos from the night before - in which Ramakrishnan, the versatile and wonderful percussionist stole the show even as he had such fun with Pablo Martin, the young percussion phenomenon who had spent his ten 'dead' days in Mumbai studying with a mridangam teacher! The audience was in bliss, I think Shiva inside his temple a hundred yards away was pleased, and the musicians just couldn't be happier. WISH, WISH, WISH, more of my dance colleagues could have been there - even if you would have had to survive extremely dry, dusty, hot and tiring conditions. Our food was excellent, the people of Maheshwar so warm and supportive - drivers, waiters, paan walas- priests in temple and of course all Richard's staff from the fort and from the Rehwa Weaving Society. And The Sacred River of music did indeed bless us as the river Kaveri and the Rio Guadalquivir met on her sacred banks. |
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