Mandala Nritta: Techniques of staging war sequences based on Naṭyashastra 
- Dr. Nancy Abraham
e-mail: nancyabraham@rocketmail.com
Keeping the fire
- Shereen Saif
e-mail: shereen.saif@gmail.com
Time signatures: Rhythm in Indian music, dance and film
- Prachi Hota
e-mail: prachi.urja@gmail.com
The transformative power of Bharatanatyam
Empowering differently-abled and autistic children
- Ramya Shankaran
e-mail: ramyanatyam@gmail.com
The journey to Carnegie Hall
- Vyoma Bhanap
e-mail: inSyncKathak@gmail.com
Mayurbhanj Chhau
- Bharat Sharma
e-mail: bhasha.dance @gmail.com
Why Naatya, not Dance?
- V.P. Dhananjayan
e-mail: bkalanjali@gmail.com
Elegance, aesthetic density and beyond
- V. Kaladharan
e-mail: kaladh@rediffmail.com
Poem by Nandadas (Poem)
- Kiran Java
e-mail: kiran@kiranjava.com
Kalakshetra administration failed the Founder's vision
- VP Dhananjayan
e-mail: bkalanjali@gmail.com
Deafening silence is louder than jingling salangais
- Uma Palam Pulendran
e-mail: umapalam@hotmail.com
International World Dance Day Online Festival
MOVE 2023 - 3rd Edition by The KLMovement
- Michelle Jueney
e-mail: move.iwdd@gmail.com
Andal in my classroom- A pedagogical and performative learning of an educator
- Samyukta Ninan
e-mail: Samyukta.Ninan@bluebellsinternational.com
Note to Myself
- VP Dhananjayan
e-mail: bkalanjali@gmail.com
On being mentored and the Pratiroop Project: Voices in my head
- Mythili Maratt Anoop
e-mail: mythili.moham@gmail.com
Movers and Shakers: K. Vishwanath movies
- Ranee Kumar
e-mail: Ranee@journalist.com
The twain shall meet
- Aniruddha Knight
e-mail: aniruddhaknight@gmail.com
Actor on the Lights
- Parshathy J Nath
e-mail: parshathy@gmail.com
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