featured in 2007   Behind the Scenes - PRAYOG 3 by Nritarutya  - Sujay Shastry   Sangeetam in dance: Seeing sound    - Anita R Ratnam, Chennai   e-mail: arangham@gmail.com   Natya's co-relation with  the esoteric discipline of Tantra   - Padmaja Venkatesh (Suresh)  e-mail: padmajasuresh@hotmail.com   Performing at Hampi Utsava   - Nayana Bhat, Bangalore  e-mail: nritarutya@rediffmail.com   Our festive images and dolls     - Padmaja Suresh, Bangalore  e-mail: padmajasuresh@hotmail.com   Dance as a profession  - Nayana Bhat, Bangalore  e-mail: nritarutya@rediffmail.com   Traumatic experience - tricked into giving away password  - Dr. Sunil Kothari, New Delhi  e-mail: sunilkothari1933@gmail.com   The Diary of an Argumentative India   - Ramu Ramanathan, Mumbai   e-mail: rramu@bom3.vsnl.net.in   Arangetram: A perfect illustration   - Sumi Krishnan, Sydney   e-mail: sumischoices@gmail.com   Secularism in Indian classical dance form  - V Soumyasri Pawar, Aurangabad    e-mail: devmudra2007@gmail.com   Rasa Gangadhara (Bharatheeya Kavyasastra: Part XVII)  - V S Bhaskara Panicker     C/o e-mail: jayraj@darpana.com   Naatya vs. Ballet   - V P Dhananjayan, Chennai   Sahithya Darpana: (Bharatheeya Kavyasastra: Part XVI)   - V S Bhaskara Panicker     C/o e-mail: jayraj@darpana.com   Visit by the Dhananjayans to Natya Dhaara in Atlanta, GA  - Yami Joshi, Atlanta   Gender Switch! (Meaning no offence to any one in particular)  - Padmaja Suresh, Bangalore  e-mail: padmajasuresh@hotmail.com   Alankara Sarvaswa: (Bharatheeya Kavyasastra: Part XV)   - V S Bhaskara Panicker     C/o e-mail: jayraj@darpana.com   Kavya Prakasa: (Bharatheeya Kavyasastra: Part XIV)   - V S Bhaskara Panicker     C/o e-mail: jayraj@darpana.com   Saraswathi   Kantabharanam: (Bharatheeya Kavyasastra: Part XIII)   - V S Bhaskara Panicker  C/o e-mail: jayraj@darpana.com   Kathak: a complete dynamic theater  - Reshmi Kaur Oberoi, NY   My experience at the Nalanda Nrithyotsava 2007  - Aishwarya Narayanaswamy, Chennai  e-mail: bhavashya@yahoo.com   Towards an Indian daCi chapter  - Mamata Niyogi-Nakra, Montreal  e-mail: nakrabm@hotmail.com   Vyakthi Viveka: (Bharatheeya Kavyasastra: Part XII)   - V S Bhaskara Panicker    C/o e-mail: jayraj@darpana.com   International Dance Day Message: April 29, 2007   - Sasha Waltz   Attuned to my culture  - Rucha Desai, Ridgewood, NJ   Dance: my true calling  Anisha Kumar, Scarsdale, New York   What are we doing?  - Sangeetha Shyam, Indonesia  e-mail: shyam@bdg.centrin.net.id   The role of Bhakti Bhava and Prema Bhava in dance: A dancer's quest   - Padmaja Suresh, Bangalore  e-mail: padmajasuresh@hotmail.com   Relationship between word force and rasa: (Bharatheeya Kavyasastra: Part XI)    - V S Bhaskara Panicker    C/o e-mail: jayraj@darpana.com   Bharatanatyam: a connection to my inner self  - Sushupta Gouri Srinidhi, Colorado   Winning an impossible situation   - Melody Singh, Iowa   Bharatanatyam today  - V Soumyasri Pawar, Aurangabad    e-mail: soumya1002002@yahoo.co.in   Dasaroopaka: (Bharatheeya Kavyasastra: Part X)    - V S Bhaskara Panicker    C/o e-mail: jayraj@darpana.com   The art and science of Indian (Chola) bronzes  - Sharada Srinivasan, Bangalore  e-mail: sharasri@gmail.com   Bharatanatyam: the rhythm to which I breathe  - Melvin Varghese, NY   Bharatanatyam: an art form of the human body  - Divya Kunapuli, Ankeny, IO