featured in 2011
How Malavika Sarukkai led me first to heaven, then to hospital
-  Bruno Kavanagh


Sabha hoppers
-  GS Rajan
e-mail: malabarian@yahoo.com


Pavakathakali
- Kapila Venu
e-mail: abhinayakairali@gmail.com


Spaces for Engagement: art on a pavement (possibly)
- Vikram Iyengar, Kolkata
e-mail: info@rananindia.com


Bharatanatyam: Present and future at the hands of NRIs
- Prathiba Natesan
e-mail: prathibachaj@gmail.com
Response
To throw stones at tradition

- Subhalakshmi Kumar
Response to Subhalakshmi Kumarís article To throw stones at tradition
- Prathiba Natesan





In and around Bhubaneswar
- Lalitha Venkat, Chennai
e-mail: lalvenkat@yahoo.com


Lateral teaching
- Nalini Raghu


The dancer's world
- Radhika Prabhu, Bangalore
e-mail: radhikaprbh@gmail.com


Cultural Heritage tour 2011
- Usha Raghavan, London
e-mail: u_raghavan@yahoo.com


Dear Devadasi: a poem
- Ashley
e-mail: mgashley@ymail.com


Benefits of dance
- Rajyshree Ramesh, Germany
e-mail: info@rr-dance.net


Critiquing the critique
- Lucinda Al-Zoghbi, London
e-mail: l.alzoghbi@gmail.com


Raagas for time and moods
- VP Dhananjayan, Chennai
e-mail: bkalanjali@gmail.com


Dance Criticism - A Report from the Attakkalari India Biennial 2011
- Ranjana Dave, Mumbai
e-mail: ranjanadave1988@gmail.com


Composing for dance
- GS Rajan
e-mail: malabarian@yahoo.com
Responses



Aesthetics of aesthetics
- Nanditha Prabhu, Chennai
e-mail: prabhu.nandu@gmail.com


Harikatha Kalakshepa
- Dr. BM Sundaram, Pondicherry
e-mail: beeyemsundaram@yahoo.com


Kala Ghoda - Why horse around with performers?
- Veena Basavarajaiah, Bangalore
e-mail: veenabasavarajaiah@gmail.com


Ambassadors of our Art
- Sindhoor Pangal, Bangalore
e-mail: sindhoor@gmail.com


Seasonal jitters!
- Priya Raman, Hyderabad
e-mail: priyans03@gmail.com


Our role in conservation of Indian culture and performing arts
- Soumyasree, Aurangabad
e-mail: devmudraa@yahoo.in
Response


Anish Kapoor: Bharatanatyam artist?
- Geeta Chandran, Delhi
e-mail: geetachandran@gmail.com