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2018


The spark and the sparkle


Fury, frustration and family heirloom


Fluent, fragrant, flamboyant


Obeisance to an icon


A Kathak-Bharatanatyam jugalbandi 


Love is like a red, red rose


The good, the bad and the ugly


Damnation to Redemption


Opulent Odissi 


Folk divas from Bangladesh drama


Many and Mono


Freud and Flashback - Glimpses into World Drama


Ravaged land, scarred psyche 


Portrait of a tortured artist


Fantasy: The Ominous and the Hilarious


Masks marking obscurantism


Masquerade of grandiose dreams


Is classical dance changing guard?


Death and Resurrection


Folk Art embodying eternal spirit


Bonding with Global Theatre


Delving into Folk roots


Real and the Surreal: 8th Theatre Olympics, Part II


Agony and Atonement: 8th Theatre Olympics, Part I


Sensibilities of a Modern Man


Collage of cadences 


The making of Mahagami


Rediscovering a scholarly legacy


Classical and contemporary conundrums


Mellow breeze from Manipur
 

The Yuletide Cadenza


2017
From Birth to Regeneration


Mask and masquerade


Housing tradition and innovation


Tagore, the early women's libber 


From roots to efflorescence


Post Uday Shankar, any which way?


Dissolving borders


The Choreography Connect


Voice and vision of Bhakta Salbeg


A pedigree ensemble’s classical filigree


An epic spectacle nonpareil


Sparkle of Kathak - Gharana or Otherwise


Gods through syncretic prism


Fragrance of Fifty Roses


Ushering in Seasons
 

Sparks of passion


A limitless lustre of love 


Moods, Movements and Melodies


Magical, Mystical, Monumental


The Courtesan Extraordinaire


The Spring Mood


Male messengers of the muse


Twin yarns of empowered Eves


Tiptoe into my parlour


Changing faces of Kathak Kendra


Of Earth, Earthy...


2016
Away from performance arena


Stirrings and Stillness, Sounds and Silence


Holding a legacy aloft


Re-imagining Tagore in style


Tremors from borderlands


Traipsing into light


Creatrix of universe